WELCOME

"Rita Abrams' PRIDE AND PREJUDICE songs are catchy, entertaining and, in the case of the ballads, touching. She has captured the period flavor in both music and lyrics, and given the score just the right gloss. The tunes shimmer with an inviting appeal, and it's clear that the Abrams-Brown production has the right "sensibility" for Austen and her characters. It's a great beginning to what should evolve into a winning show."

—Gerald Nachman, Theatre Critic and Author of Seriously Funny: The Rebel Comedians of the 1950s and 1960s

        "Emmy award winning songwriter Rita Abrams has managed to bring her considerable powers to Austen's Pride and Prejudice in a way that brings that classic work alive, and keeps us thoroughly engaged as we listen to the catchy and compelling lyrics embodied in her delightful and wonderfully enchanting melodies. The songs are a triumph of inventiveness and skill, and display the abundant talent of this rich and original, gifted songwriter." 

—Michael Krasny, Host of NPR's Forum (KQED, San Francisco) and Author of Off Mike: A Memoir of Talk Radio and Literary Life

"Witty, tuneful, and very sophisticated."

David H. Bell, Helen Hayes Award-winning Director for THE HOT MIKADO

"This musical does not disappoint. When I listened to the musical I was entranced and I wanted to know more about its creators. I am a music buff and attend many concerts and Broadway musicals. From my perspective, I would pay to see this production."

    —"Ms. Place" of the Jane Austen's World blog

_____________________________________________

This engaging new musical of Jane Austen’s classic novel, adapted for the stage by two-time Emmy Award-winning composer/lyricist Rita Abrams, and celebrated author Josie Brown, contains 19 highly entertaining songs, 16 of which are excerpted here.

Though this website contains excerpted songs, once a week a full version of one of the songs will be uplinked here, under "This Week's Complete Song". The song will be uplinked each Friday. And due to popular demand, we'll be rotating them through more than once . . .

We were honored to be interviewed by Ms. Place of the Jane Austen's World blog, on our process for creating this musical. You can read that interview by clicking the link provided here.

Like what you hear? Let us know. You can email Josie and Rita at:

PridePrejudiceMusical@gmail.com

Enjoy!

Rita Abrams & Josie Brown 

THIS WEEK'S COMPLETE SONG

As of  Fri 3/12709 5:13pm PT  

Okay, I've been away too long. So that you forgive me, here are two full songs. Enjoy! Josie


Jane, Pretty in Pink#7: CHANGING WORLD
(Sung by Bingley, Jane, Elizabeth and Darcy)

To her mother’s delight, Jane is confined to Netherfield by illness.  Elizabeth visits her there, where the voices of Bingley, Jane, Elizabeth, and Darcy entwine in separate soliloquies of their various heartfelt feelings.

Bingley and Jane are falling in love, Elizabeth is hopeful for Jane, and Darcy is fighting his growing attraction to the feisty Elizabeth who has steeled herself against his haughty ways.

Click Here for the Complete Song




Darcy#13: THE ONE I COULD HAVE BEEN WITH YOU
(Sung by Darcy)


Elizabeth's unexpected appearance at his Aunt Catherine's estate sends Darcy into turmoil, as he wrestles with his conflict between passion and prejudice.  Succumbing to love, his unexpected, and all-too-honest proposal enrages Elizabeth, who rails against his arrogance, and his newly discovered part in separating Bingley from her sister Jane. Taking his leave, Darcy broken-heartedly laments the loss of a future with Elizabeth.

Click here for the full song...

ALSO:

Sense Enjoy the  Sense and Sensibility 2008 Edward and Elinor Award, courtesy of  http://twitter.com/JaneAustenMedia

 


MUSIC SAMPLER

Darcy_walks_away #1:  A PLEASANT LITTLE LIFE
(Sung by the cast)

The rustic and humble little English country town of Meryton has rarely been visited by the wealthy and prestigious.

Excerpt: Download 01_track_01_simple_life.mp3


#2: WELCOME TO OUR NEIGHBORHOOD
(Sung by the cast)

The arrival of the rich and highborn newcomers Charles Bingley, sister Caroline, and friend Mr. Darcy, has the town in a hubbub—especially the single ladies and their mothers!

Download 02_track_02_welcome.mp3


Bingley_2

#3: IT IS A TRUTH 
(Sung by Bingley, Darcy and Caroline)

 Darcy and Bingley banter about the pressures on single men--particularly wealthy single men--to marry.  But while Darcy is disgusted by it, Bingley's attitude is more benign--perhaps because he is already in the throes of enchantment with one of the local beauties, Jane Bennet.

Excerpt: Download 03_track_03_there_is_a_truth.mp3


Janep2


#4: FIVE DAUGHTERS

(Sung by Mrs. Bennet and Mr. Bennet, with their daughters)

Though the Bennet parents love their girls, Mr. Bennet has a decidedly more cynical view of them—and their prospects.

Excerpt: Download 04_track_04_five_daughters.mp


Thdauofcolhardy#5: ASSEMBLY BALL BUZZ
(Sung by the cast)

The guests at the town’s Assembly Ball are abuzz with the appearance of the party of Mr.Bingley—and with his increasingly obvious attraction to the eldest Bennet sister, Jane.  However, Darcy and Caroline Bingley are less enthralled with the locals~to say the least.

Excerpt: Download 05_track_05_assembly_ball_buzz.mp3

 


Mrsbennet#6: A HUSBAND
(Sung by Mrs. Bennet, with her husband and daughters)


Jane's invitation to the Bingley mansion, Netherfield, thrusts her mother into a fevered frenzy of orders and plans for making her eldest daughter into Mrs. Bingley.

Excerpt: Download 06_track_06_a_husband.mp3


 

Thpinkbonnetregency #7: CHANGING WORLD
(Sung by Bingley, Jane, Elizabeth and Darcy)

To her mother’s delight, Jane is confined to Netherfield by illness.  Elizabeth visits her there, where the voices of Bingley, Jane, Elizabeth, and Darcy entwine in separate soliloquies of their various heartfelt feelings.

Bingley and Jane are falling in love, Elizabeth is hopeful for Jane, and Darcy is fighting his growing attraction to the feisty Elizabeth who has steeled herself against his haughty ways.

Excerpt; #1:
Download 07_track_07_changing_world.mp3

Excerpt #2:
Download 08_track_08_changing_world2.mp3

 


 

Mrcollinsbest #8: MR. COLLINS' MARRY ANTHEM
(Sung by Mr. Collins)


With the Bennets' home entailed to their ridiculous cousin Collins, his presumptuous offer to make one of the Bennet girl his wife enthralls the mother and repels the daughters.

Download 09_track_09_collins_marry.mp3 


 

Thcomtesseregnault #9: IN MY IMAGINATION
(Sung by Charlotte)


At the Bingleys’ masked ball, Lizzy’s pragmatic friend, Charlotte, confides that while Lizzy might have marital choices, Charlotte herself is in no position to be picky--and that romantic love is not the only path to contentment.

EXCERPT: Download 10_track_10_imagination.mp3



Thmmevincent_2 #10: CHANGING WORLD - REPRISE
(Sung by the Bennet Family)


The sudden departure of the Bingley party for London devastates Jane, and her family for her.  Elizabeth suspects the manipulation of Bingley’s spiteful sister Caroline.  But she is unaware of the impact of the rude behavior of her younger sisters and her mother, plus her own attentions to the secret scoundrel Wickham, upon Darcy—who has decided to rescue his friend--and himself--from the clutches of the conniving Bennet women by taking his party off to London.

Excerpt:Download 11_track_11_cw_reprise.mp3

Mrcollinsbest_2 #11: BEING MARRIED
(Sung by Charlotte and Mr. Bennet)

Having spurned Collins’ proposal, Elizabeth acquiesces to visit him and his rebound bride, Charlotte, in their new home—where they sing the praises of the ties that bind.  However, Charlotte’s performance of the song hints at her being less than ecstatic about the choice she has made. 

Excerpt: Download 12_track_12_being_married.mp3


Ladyc #12: THAT WOULD BE ME
(Sung by Lady Catherine DeBourgh)


The bossy Lady Catherine is even more pompous than her sycophant, Mr. Collins, whom she has invited to dinner along with his wife and Elizabeth. Noting the attentions of her nephew Darcy to Elizabeth, she holds forth even more obnoxiously.

Excerpt: Download 13_track_13_that_would_be_me.mp3

How_dare_he

#14: HOW DARE HE!
(Sung by Elizabeth)


Elizabeth expresses her shock and anger to her friend, Charlotte, that Darcy had the nerve to propose to her, even while insulting her family and destroying her dear sister’s hope for happiness.  Yet, between rantings emerges her irrepressible ambivalence, evidence of even deeper feelings of caring for this exasperatingly complicated man.

Excerpt: Download 15_track_15_how_could_he.mp3

Thdauofcolhardy_2 #15: A HUSBAND
(Reprise, Sung as a duet by Elizabeth and Jane)

Elizabeth is summoned home, only to find the Bennet household in an uproar. Not only has Lydia run away with Wickham, but her letter indicates no plans to marry—which will throw the Bennet family into total disgrace!

Elizabeth assumes the reason for Darcy’s sudden appearance at Longbourn is to gloat in person over her family’s misfortune. On the contrary: upon hearing the bad news, he feels compelled to tell Elizabeth how Wickham had once tried to run away with Darcy’s wealthy little sister. Only a payoff from Darcy dissuaded him. This story only deepens Elizabeth’s despair, since unlike Darcy, the Bennets are too poor to “purchase” Lydia’s betrothal to the odious Wickham, even if they wanted to. Their only hope is to find the girl before word of her actions ruins her reputation—and the futures of all the Bennet sisters.

After Mr. Darcy leaves, Lizzy confides in Jane about his proposal. The two fantasize about a world in which marriage isn't a woman's financial salvation...

 

Mrcollinsbest_3 #16: WHAT IS A MAN TO DO ?
(Sung by Mr. Collins)

Not one to miss an opportunity to gloat, Mr. Collins shows up to blame the Bennets’ faulty childrearing for daughter Lydia's scandalous disappearance with Mr. Wickham.  From there he tangos around to the universal truth—that "hanky-panky" is NEVER the man’s fault.

Excerpt: Download 16_track_16_collinstango.mp3

 

Ladyc_2 #17: THAT WOULD BE ME
(Reprise, Sung as a duet between Lady Catherine and Elizabeth)

Lydia's sudden appearance—with her new husband, Wickham in tow—gives the Bennets reason to rejoice.

Lady Catherine's unexpected visit is less so. She is there to learn the truth of Darcy’s rumored proposal to Elizabeth, and to exact from Lizzy a promise that she will never accept Darcy’s hand in marriage.  Lizzy‘s indignant refusal to cooperate drives out Lady Catherine in a vengeful rage.

The eavesdropping Darcy is ecstatic, and summons his courage to propose to Elizabeth one last time. Finally realizing her respect and love for him, Lizzy accepts.

Darcy_2 #18: THE ONE WHO I WILL BE WITH YOU
(Reprise, Sung as a duet between Darcy and Elizabeth)

Darcy takes Lizzy to the window to show her that Charles is proposing to Jane.
As Darcy and Lizzy sing of their love in the finale, Charles and Jane join them, as does the rest of the cast as the song crescendoes into a joyous double wedding scene.

 


P2weddingpic #19: I WISH YOU JOY (WEDDING SONG)
(Sung by the Cast)

Through repenting for his prejudices, maneuvering the redemptive marriage of Lydia and Wickham, and reuniting Bingley and Jane, Darcy proves himself to be worthy of Elizabeth—herself repenting for her own misguided pride--after all.  A double-wedding unites the two couples, as the Bennet family and the whole town joins in on this paean of love, friendship, and
community.

Excerpt: Download 17_track_17_i_wish_you_joy.mp3

ABOUT THE AUTHORS

Rita_abrams RITA ABRAMS, Music and Lyrics
Two-time Emmy Award winning composer/lyricist Rita Abrams has just won her twenty-sixth ASCAP Popular Music Award (January, 2007).  During 2005-6, her comedy albums with Dr. Elmo, ("Grandma Got Run Over by a Reindeer") sold over 500,000 copies for the Sony/BMG label. Their latest album appeared for nine weeks on the Billboard comedy charts.

Rita’s stage musicals have earned her three San Francisco Bay Area Theatre Critics Circle Awards. These include NEW WRINKLES, currently running in Canada, with past productions Pennsylvania, and Oregon, and her musical revue FOR WHOM THE BRIDGE TOLLS, which ran for over ten years in various San Francisco Bay Area cities.

Her musical version of John Gray’s MEN ARE FROM MARS, WOMEN ARE FROM VENUS has run for a year at the Flamingo Hotel in Las Vegas. For her work in records, video and film, she has won awards from Associated Press (Best Video), New York TV and Film Festival, Parents' Choice, and CINE. Her 1970’s record, "Mill
Valley," was an international hit, reaching #5 on the national Billboard charts.

Theatrical producers are welcome to discuss  this and other musical theater projects by Rita Abrams and Josie Brown. Email us at PridePrejudiceMusical@gmail.com


Josieb_headshot JOSIE BROWN, Book
(Adapted from Jane Austen's PRIDE AND PREJUDICE)
Josie is the author of two novels: IMPOSSIBLY TONGUE-TIED (HarperCollins/Avon) and TRUE HOLLYWOOD LIES (HarperCollins/Avon), as well as the fictionista chick lit humor dictionary, LAST NIGHT I DREAMT OF COSMOPOLITANS (St. Martin's Press). Her celebrity profiles and relationship articles have appeared in Redbook, Complete Woman, and have been distributed via the Los Angeles Times Syndicate International.

"BRAD, Angelina, Britney and Kevin may want to check out Josie Brown's new novel, Impossibly Tongue-Tied, for its ripped-from-the-headlines plot that mixes their scandals together..." — New York Post's PAGE SIX

"Sounds like the perfect Holiday stocking stuffer." — (Phoenix) Arizona National Ledger

"... Brown's debut novel [True Hollywood Lies] confirms just what you suspect about celebrity and unfolds with all the inevitability of a romantic comedy.. A love triangle between Hannah, her boss and his best friend Mick Bradshaw gives the book the tension that drives this well-paced, entertaining story forward…" — Publishers Weekly

"...The tone is confessional, the writing laced with venomous humor..." -- Wall Street Journal

"Once again, PAGE SIX has been featured in a fine piece of literary work. In True Hollywood Lies by relationship expert Josie Brown, the main character, second-generation Hollywood royalty "Hannah," rehashes all the press she receives when her relationship with Hugh Grant-like "Louis Trollope" becomes public. Of all the publications the character lists, only this esteemed column got it right - and first, of course..." — New York Post's PAGE SIX

REPRESENTATION

Theatre producers are welcome to discuss  this and other musical theater projects by Rita Abrams and Josie Brown. For questions, contact

Bob Freedman
THE ROBERT A. FREEDMAN DRAMATIC AGENCY
1501 Broadway, Ste. 2310
New York, NY 10036

212.840.5760

You can also reach Josie and Rita at PridePrejudiceMusical@gmail.com

Our thanks to our CAST OF SINGERS on these recordings, in alphabetical order:

Maggie Bell
David Curley
Aubrey Davis
Bettina Devin
Christine Macomber
Mark Messersmith
Travis Poelle
Christina Sabotelli
Annie Stocking
Susan Zelinsky

Back to Josie's Main Page...

Back to Rita's Main Page...

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